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Founder

Founder

Aivar “Antonio” Lätt is an Estonian designer and product innovator whose path connects making, brand leadership and systems thinking.

He studied Fashion Design at the Estonian Academy of Arts (EKA), then completed an MBA at Estonian Business School, followed by further study in Strategy and Innovation Management at Università Bocconi in Milan, Italy. This dual fluency – the studio and the strategy room – anchors NADA’s holistic view.

Earlier in his journey, Antonio co-founded one of Estonia’s first design initiatives, ANJEANED – a young local brand that reached London retail, a signal of both ambition and the strength of local craft.

He then spent over a decade shaping BALTMAN menswear, moving from designer to Head of Design and later to Head of Brand and Collections. Afterwards, he joined the Baltika Group management team as Head of Brand Image. These years refined a particular discipline: structure first, aesthetics as consequence.

Antonio has advised companies on vision, systems and strategy, and as a mentor has helped build sustainable value. He lectures at the Estonian Academy of Arts on management and strategy for fashion and luxury, passing on the long view to the next generation.

His contribution to Estonian fashion has been recognised at the highest level, including the Kuldnõel (Golden Needle) award.


Today, he continues to knit together design, industry and education, advocating for collaboration across disciplines so that good ideas have real places to land.

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Philosophy
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Philosophy
NADA designs for presence – for the quiet interval between comfort and intention. We see time as a material, negative space as a design tool, and longevity as the first brief. Fewer pieces, deeper purpose. The silhouette rests when the fabric does the speaking – and sometimes the other way around. We study the discipline of minimalism not as absence, but as care. Like the most thoughtful uniforms, our pieces are built to serve the day and keep their shape across years. Fit is eased to allow movement. Lines that are precise, but never rigid. We cut to reduce friction in use: a pocket where the hand naturally lands; seams that guide the eye; closures that disappear into the garment’s own logic. Our visual and material language is calm and precise – stillness with tension, raw with refinement. We design for presence, not spectacle. The aim is consistency without rigidity, elegance without excess, clarity over noise. We believe in function before effect, and in the beauty of materials in their natural, honest state. Surfaces that age with dignity. We learn from the heritage of utility and understatement, from the quiet tension between softness and structure, from the way protection – against the elements and against trends – can be graceful. Modern life asks for clothes that can cross thresholds without fuss.Work to night. City to coast. Layered or alone. A NADA garment is a companion – it disappears into your life and, in disappearing, becomes essential. Minimalism that means care.Utility, with grace.Style, with time on its side. This is our rhythm.
Our story
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Our story
NADA is a field of practice – a place to think, make, and move a little slower.